Notes
- Gemma Weston, ‘Painting in memory of unknown artists’, in Vivienne Binns: On and Through the Surface, p. 39.
- Andrew Stephens, ‘Hope and fear collide in art for the end days’, The Age, 4 October 2019, www.theage.com.au/culture/art-and-design/hope-and-fear-collide-in-art-for-the-end-days-20190925-p52us8.html.
- Art Gallery of NSW, ‘Art sets. The art that made me: Nell’, n.d., www.artgallery.nsw.gov.au/artsets/8t2er5.
- Natalie King, ‘Nell: I’m always thinking about how a painting might sound”’, Ocula, 5 May 2021, https://ocula.com/ magazine/conversations/nell/
- Andrew Stephens, ‘Hope and fear collide in art for the end days’. The Age, 4 October 2019, www.theage.com.au/culture/art-and-design/hope-and-fear-collide-in-art-for-the-end-days-20190925-p52us8.html.
- Ewen McDonald, ‘Introduction: Synchronicity – How the outside is made to shine indoors’, Brochure, Project 11 & 12, Allens, 2013.
- Una Rae, catalogue essay, Nici Cumpston: having-been-there, exhibition catalogue, Kluge-Ruhe Aboriginal Art Collection, Charlottesville, Virginia, 17 January – 18 May 2014.
- Julie Gough, opening address, Attesting: Nici Cumpston, Gallerysmith, Melbourne, 30 January 2009.
- Nici Cumpston, notes for curator Pippa Milne for the exhibition Return to Nature, Monash Gallery of Art, Melbourne, 8 July – 18 September 2022. Document shared with Barbara Flynn.
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