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                                            <image:caption>Tomás Saraceno, &lt;i&gt;The Seeds of Flight&lt;/i&gt;, 2025, extra dense, dyed raw cotton fabric, carbon fibre, aluminium, rope, sailcloth, 15 sculptures of variable dimensions installed on the three public levels of Parkline Place</image:caption>
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Barbara Flynn and Mike Hewson in discussion, seated on one of the sandstone playground elements of Hewson’s work &lt;i&gt;Illawarra Placed Landscape &lt;/i&gt;for Crown Street Mall, Wollongong
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Barbara Flynn and Mike Hewson in discussion, seated on one of the sandstone playground elements of Hewson’s work &lt;i&gt;Illawarra Placed Landscape &lt;/i&gt;for Crown Street Mall, Wollongong
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Jenny Holzer, &lt;i&gt;I STAY (Ngaya ngalawa), &lt;/i&gt;2014, 










8 Chifley Square, Sydney&lt;br /&gt;



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                                            <image:caption>Flynn talking to camera (31 May 2018) and artist Tadashi Kawamata site visit for Central Park commission (19 May 2016); also featured: Christine Bootes, Ineke Dane and Katrina Dunn-Jones, curatorial assistants to Barbara Flynn in 2018; Mick Caddey, Development Director, Frasers Property Australia; Paul van Ratingen, Director, JPW. Filming by Yanni Kronenberg. Artist Yasmin Smith is mentioned at a time she was being considered for a project which did not go forward.</image:caption>
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                                            <image:caption>Barbara Flynn on art in the Sydney city centre (2013)</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Tomás Saraceno, &lt;i&gt;The Seeds of Flight&lt;/i&gt;, 2025, extra dense, dyed raw cotton fabric, carbon fibre, aluminium, rope, sailcloth, 15 sculptures of variable dimensions installed on the three public levels of Parkline Place&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>Barbara Flynn. Photo: Mark Pokorny</image:caption>
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Barbara Flynn and Mike Hewson in discussion, seated on one of the sandstone playground elements of Hewson’s work &lt;i&gt;Illawarra Placed Landscape &lt;/i&gt;for Crown Street Mall, Wollongong
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Barbara Flynn and Mike Hewson in discussion, seated on one of the sandstone playground elements of Hewson’s work &lt;i&gt;Illawarra Placed Landscape &lt;/i&gt;for Crown Street Mall, Wollongong
&lt;br /&gt;



&lt;br /&gt;



</image:caption>
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Jenny Holzer, &lt;i&gt;I STAY (Ngaya ngalawa), &lt;/i&gt;2014, 










8 Chifley Square, Sydney&lt;br /&gt;



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                                            <image:caption>Barbara Flynn and colleagues in front of 8 Chifley Square, talking about the making of Jenny Holzer’s &lt;i&gt;I STAY (Ngaya ngalawa)&lt;/i&gt;, 18 June 2018</image:caption>
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                                            <image:caption>Barbara Flynn and colleagues in front of 8 Chifley Square, talking about the making of Jenny Holzer’s &lt;i&gt;I STAY (Ngaya ngalawa)&lt;/i&gt;, 18 June 2018</image:caption>
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                                            <image:caption>Flynn talking to camera (31 May 2018) and artist Tadashi Kawamata site visit for Central Park commission (19 May 2016); also featured: Christine Bootes, Ineke Dane and Katrina Dunn-Jones, curatorial assistants to Barbara Flynn in 2018; Mick Caddey, Development Director, Frasers Property Australia; Paul van Ratingen, Director, JPW. Filming by Yanni Kronenberg. Artist Yasmin Smith is mentioned at a time she was being considered for a project which did not go forward.</image:caption>
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                                            <image:caption>Flynn talking to camera (31 May 2018) and artist Tadashi Kawamata site visit for Central Park commission (19 May 2016); also featured: Christine Bootes, Ineke Dane and Katrina Dunn-Jones, curatorial assistants to Barbara Flynn in 2018; Mick Caddey, Development Director, Frasers Property Australia; Paul van Ratingen, Director, JPW. Filming by Yanni Kronenberg. Artist Yasmin Smith is mentioned at a time she was being considered for a project which did not go forward.</image:caption>
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                                            <image:caption>Barbara Flynn on art in the Sydney city centre (2013)</image:caption>
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                                            <image:caption>Barbara Flynn on art in the Sydney city centre (2013)</image:caption>
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                                            <image:caption>&lt;span class=&quot;heading-3&quot;&gt;Parkline Place&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;heading-3&quot;&gt;Adelaide City Centre&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;heading-3&quot;&gt;Cross River Rail&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;heading-3&quot;&gt;Yirranma Place, Paul Ramsay Foundation&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/span&gt;</image:caption>
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&lt;br /&gt;
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&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;heading-3&quot;&gt;Deloitte&lt;br /&gt;
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&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;heading-3&quot;&gt;City of Sydney — The Distance of Your Heart&lt;br /&gt;
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                                            <image:caption>Tomás Saraceno, &lt;i&gt;The Seeds of Flight&lt;/i&gt;, 2025, extra dense, dyed raw cotton fabric, carbon fibre, aluminium, rope, sailcloth, 15 sculptures of variable dimensions installed on the three public levels of Parkline Place</image:caption>
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Olafur Eliasson, &lt;i&gt;Roof for stray thoughts&lt;/i&gt;, 2022, coated steel, mirror polished stainless steel, 5 × 30 × 55m; 88 metric tonnes. Quay Quarter Tower, Sydney&lt;br /&gt;



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Olafur Eliasson, &lt;i&gt;Roof for stray thoughts&lt;/i&gt;, 2022, coated steel, mirror polished stainless steel, 5 × 30 × 55m; 88 metric tonnes. Quay Quarter Tower, Sydney&lt;br /&gt;



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Olafur Eliasson, &lt;i&gt;Roof for stray thoughts&lt;/i&gt;, 2022, coated steel, mirror polished stainless steel, 5 × 30 × 55m; 88 metric tonnes. Quay Quarter Tower, Sydney&lt;br /&gt;



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Olafur Eliasson, &lt;i&gt;Roof for stray thoughts&lt;/i&gt;, 2022, coated steel, mirror polished stainless steel, 5 × 30 × 55m; 88 metric tonnes. Quay Quarter Tower, Sydney



&lt;br /&gt;



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Olafur Eliasson, &lt;i&gt;Roof for stray thoughts&lt;/i&gt;, 2022, coated steel, mirror polished stainless steel, 5 × 30 × 55m; 88 metric tonnes. Quay Quarter Tower, Sydney



&lt;br /&gt;



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Olafur Eliasson, &lt;i&gt;Roof for stray thoughts&lt;/i&gt;, 2022, coated steel, mirror polished stainless steel, 5 × 30 × 55m; 88 metric tonnes. Quay Quarter Tower, Sydney&lt;br /&gt;



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Olafur Eliasson, &lt;i&gt;Roof for stray thoughts&lt;/i&gt;, 2022, coated steel, mirror polished stainless steel, 5 × 30 × 55m; 88 metric tonnes. Quay Quarter Tower, Sydney
&lt;br /&gt;



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                        <loc>https://barbaraflynn.com/quay-quarter-lanes</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/A1916043285430500019077171398408/image31-68.jpeg</image:loc>
                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: bengadee (ornament)&lt;/i&gt;, 2022</image:caption>
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                <image:image>
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                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: bengadee (ornament)&lt;/i&gt;, 2022</image:caption>
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                        <loc>https://barbaraflynn.com/intro-8</loc>
            
            
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                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: betūŋigo (oysters)&lt;/i&gt;, 2022 (detail)</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2435454192594614888144219162376/LL_PublicArt_Betunigo_Oysters_2022_006_-2000px.jpg</image:loc>
                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: betūŋigo (oysters)&lt;/i&gt;, 2022 (detail)</image:caption>
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                <image:image>
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                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: betūŋigo (oysters)&lt;/i&gt;, 2022</image:caption>
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                        <loc>https://barbaraflynn.com/text-2-4</loc>
            
            
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                                            <image:caption>










&lt;a href=&quot;https://www.youtube.com/watch?v=4o0RaASu7Ck&quot;&gt;Jonathan Jones, &lt;/a&gt;&lt;i&gt;remembering Arabanoo&lt;/i&gt;, &lt;a href=&quot;https://www.youtube.com/watch?v=4o0RaASu7Ck&amp;feature=youtu.be&quot;&gt;Quay Quarter Lanes&lt;/a&gt;&lt;br /&gt;



</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2435449554677326387941332764424/QuayQuarterLanes Jonathan Jones public art</image:loc>
                                            <image:caption>










&lt;a href=&quot;https://www.youtube.com/watch?v=4o0RaASu7Ck&quot;&gt;Jonathan Jones, &lt;/a&gt;&lt;i&gt;remembering Arabanoo&lt;/i&gt;, &lt;a href=&quot;https://www.youtube.com/watch?v=4o0RaASu7Ck&amp;feature=youtu.be&quot;&gt;Quay Quarter Lanes&lt;/a&gt;&lt;br /&gt;



</image:caption>
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                        <loc>https://barbaraflynn.com/text-3-2</loc>
            
            
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                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: weerong (Sydney Cove)&lt;/i&gt;, 2022</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2435454192723742096660186023688/LL_PublicArt_Weerong_Arcade-Lights_2022_005_-2000px.jpg</image:loc>
                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: weerong (Sydney Cove)&lt;/i&gt;, 2022 (detail)</image:caption>
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                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: weerong (Sydney Cove)&lt;/i&gt;, 2022</image:caption>
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        </url>
            <url>
                        <loc>https://barbaraflynn.com/text-4</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/A1916043285430500019077171398408/image31-68.jpeg</image:loc>
                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: magora (fish)&lt;/i&gt;, 2022</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2435454192631508376291638265608/LL_PublicArt_Flags_May-2023_004_-1000px.jpg</image:loc>
                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arbanoo: gwara (flags)&lt;/i&gt;, 2022</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2435454192613061632217928713992/LL_PublicArt_Flags_May-2023_003_-1000px.jpg</image:loc>
                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arbanoo: gwara (flags)&lt;/i&gt;, 2022</image:caption>
                                    </image:image>
            
                
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                    <image:loc>https://freight.cargo.site/t/original/i/H2435454192705295352586476472072/LL_PublicArt_Magora_Fish-Scales_2022_008_-1000px.jpg</image:loc>
                                            <image:caption>Jonathan Jones, &lt;i&gt;remembering Arabanoo: magora (fish)&lt;/i&gt;, 2022</image:caption>
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                        <loc>https://barbaraflynn.com/back-to-top</loc>
            
            
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                        <loc>https://barbaraflynn.com/adelaide-city-centre</loc>
            
            
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                                            <image:caption>Flynn’s ‘stub’ spaces in central Adelaide. Photos: Barbara Flynn, October 2023</image:caption>
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                                            <image:caption>Flynn’s ‘stub’ spaces in central Adelaide. Photos: Barbara Flynn, October 2023</image:caption>
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                        <loc>https://barbaraflynn.com/back-to-top-3</loc>
            
            
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                        <loc>https://barbaraflynn.com/salvation-army</loc>
            
            
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                                            <image:caption>Nell, &lt;i&gt;Made in the Light – Happy Cloud&lt;/i&gt;, 2019, neon, 230 × 338cm. Collection: Maitland Regional Art Gallery</image:caption>
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                                            <image:caption>Nell, &lt;i&gt;Made in the Light – Happy Cloud&lt;/i&gt;, 2019, neon, 230 × 338cm. Collection: Maitland Regional Art Gallery</image:caption>
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                        <loc>https://barbaraflynn.com/notes</loc>
            
            
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                                            <image:caption>Teho Ropeyarn, Boggo Road Station escalator wall, artwork render</image:caption>
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                                            <image:caption>Teho Ropeyarn, Boggo Road Station escalator wall, artwork render</image:caption>
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Hany Armanious, &lt;i&gt;Pavilion&lt;/i&gt;, 2014&lt;br /&gt;



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Hany Armanious, &lt;i&gt;Pavilion&lt;/i&gt;, 2014&lt;br /&gt;



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Tracey Emin, &lt;i&gt;The Distance of Your Heart&lt;/i&gt;, 2018&lt;br /&gt;



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Junya Ishigami, &lt;i&gt;Cloud Arch&lt;/i&gt;, 2014–ongoing&lt;br /&gt;



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Junya Ishigami, &lt;i&gt;Cloud Arch&lt;/i&gt;, 2014–ongoing&lt;br /&gt;



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Junya Ishigami, &lt;i&gt;Cloud Arch&lt;/i&gt;, 2014–ongoing&lt;br /&gt;



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Junya Ishigami, &lt;i&gt;Cloud Arch&lt;/i&gt;, 2014–ongoing&lt;br /&gt;



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Junya Ishigami, &lt;i&gt;Cloud Arch&lt;/i&gt;, 2014–ongoing&lt;br /&gt;



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Callum Morton, &lt;i&gt;In Through the Out Door&lt;/i&gt;, 2024&lt;br /&gt;



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Callum Morton, &lt;i&gt;In Through the Out Door&lt;/i&gt;, 2024&lt;br /&gt;



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Callum Morton, &lt;i&gt;In Through the Out Door&lt;/i&gt;, 2024&lt;br /&gt;



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Callum Morton, &lt;i&gt;In Through the Out Door&lt;/i&gt;, 2024&lt;br /&gt;



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Callum Morton, &lt;i&gt;In Through the Out Door&lt;/i&gt;, 2024&lt;br /&gt;



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Lara Schnitger, &lt;i&gt;Patchwork of Light&lt;/i&gt;, 2020&lt;br /&gt;



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Lara Schnitger, &lt;i&gt;Patchwork of Light&lt;/i&gt;, 2020&lt;br /&gt;



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Lara Schnitger, &lt;i&gt;Patchwork of Light&lt;/i&gt;, 2020&lt;br /&gt;</image:caption>
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Lara Schnitger, &lt;i&gt;Patchwork of Light&lt;/i&gt;, 2020&lt;br /&gt;



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Lara Schnitger, &lt;i&gt;Patchwork of Light&lt;/i&gt;, 2020&lt;br /&gt;</image:caption>
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Newell Harry, &lt;i&gt;Circle/s in the Round’ for (Miles and Miles + 1)&lt;/i&gt;, 2010, Temperance Lane, for ‘Are You Looking at Me?’, Laneway Art, 2010&lt;br /&gt;



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Newell Harry, &lt;i&gt;Circle/s in the Round’ for (Miles and Miles + 1)&lt;/i&gt;, 2010, Temperance Lane, for ‘Are You Looking at Me?’, Laneway Art, 2010&lt;br /&gt;



</image:caption>
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                                            <image:caption>&lt;i&gt;Open Gallery&lt;/i&gt; street banners by Robert MacPherson, Susan Norrie, Paddy Bedford, David Griggs, Louise Hearman and J.D. ‘Okhai Ojeikere</image:caption>
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                                            <image:caption>&lt;i&gt;Open Gallery&lt;/i&gt; street banners by Robert MacPherson, Susan Norrie, Paddy Bedford, David Griggs, Louise Hearman and J.D. ‘Okhai Ojeikere</image:caption>
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&lt;i&gt;Open Gallery&lt;/i&gt; street banners by Mikala Dwyer, Tim Johnson, Guan Wei, Adam Cullen, Debra Dawes and Matthys Gerber&lt;br /&gt;



</image:caption>
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&lt;i&gt;Open Gallery&lt;/i&gt; street banners by Mikala Dwyer, Tim Johnson, Guan Wei, Adam Cullen, Debra Dawes and Matthys Gerber&lt;br /&gt;



</image:caption>
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                                            <image:caption>Archie Moore, &lt;i&gt;United Neytions&lt;/i&gt;, 2018, polyester, nylon, zinc-plated alloy, 456 × 228cm and 228 × 228cm (flags); 2000 × 1700cm (stainless steel frame), T1 Marketplace, International Terminal, Sydney Airport. Joint venture of Sydney Airport and Museum of Contemporary Art Australia. Photo: Jessica Maurer&lt;br /&gt;
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                                            <image:caption>Archie Moore, &lt;i&gt;United Neytions&lt;/i&gt;, 2018, polyester, nylon, zinc-plated alloy, 456 × 228cm and 228 × 228cm (flags); 2000 × 1700cm (stainless steel frame), T1 Marketplace, International Terminal, Sydney Airport. Joint venture of Sydney Airport and Museum of Contemporary Art Australia. Photo: Jessica Maurer&lt;br /&gt;
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Clipping from &lt;i&gt;The Australian&lt;/i&gt;, 2010: Barbara Flynn, curator of the Deloitte Collection with Christian Thompson’s &lt;i&gt;Hunting Ground No 3&lt;/i&gt;, 2007&lt;br /&gt;



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Clipping from &lt;i&gt;The Australian&lt;/i&gt;, 2010: Barbara Flynn, curator of the Deloitte Collection with Christian Thompson’s &lt;i&gt;Hunting Ground No 3&lt;/i&gt;, 2007&lt;br /&gt;



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Rendering of proposed artwork by Jazz Money and Joel Davison for Harbour Park, Central Barangaroo&lt;br /&gt;



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Rendering of proposed artwork by Jazz Money and Joel Davison for Harbour Park, Central Barangaroo&lt;br /&gt;



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Yvonne Koolmatrie, &lt;i&gt;Burial Basket&lt;/i&gt;, 2017, woven sedges&lt;br /&gt;



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Yvonne Koolmatrie, &lt;i&gt;Burial Basket&lt;/i&gt;, 2017, woven sedges&lt;br /&gt;



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